What We Built
A full access scaffold to a period terrace on Berkeley Square, for a building refurbishment. The front elevation runs the width of the frontage and rises past the roofline, with a boarded working lift at every level the trades need to reach. The rear elevation is scaffolded to the same height.
It does not stop at the roof. The structure continues up and over, taking access around the chimney stacks and the rooftop plant, with a boarded bridge running across the roof itself and an electric hoist mounted on it. That hoist is how material reaches roof level on a building with no crane and no room for one.
At street level it sits on a pedestrian gantry. The footway runs underneath it, boarded overhead and open along its length, so people walking the square pass beneath the works rather than stepping into the carriageway.
A Designed Scaffold, Not a Standard One
Most domestic scaffolds are built to TG20:21, the industry compliance guidance that covers common configurations. Work within it and the scaffold is compliant by design.
This one sits outside it. A gantry carrying public footfall, a frontage on a busy Mayfair street, and a structure of this height take the job beyond what the standard configurations cover, which means it needs a bespoke design with calculations signed off by a scaffold design engineer before a single tube goes up.
That is a real distinction and it is worth understanding as a client. A contractor who only builds to TG20:21 either turns this job down or builds something they cannot justify on paper. The design comes first, the drawing goes to the client, and the structure gets built to it.
Working Under the Plane Trees
The square's mature plane trees sit directly over the frontage. The canopy reaches across the top lifts of the scaffold, which changes how the upper levels get built.
Trees like these are protected. You do not cut a route through one to make a scaffold easier to erect, so the structure is set out to work beneath and around the canopy instead, and the crew lift materials up through it rather than swinging them across.
It is slower. It is also the only acceptable way to do it, and getting it wrong on a tree in a central London square is not a mistake you recover from quietly.














